North West Theatre Arts Company – Hairspray

They couldn’t have timed it better. NWTAC’s production of Hairspray started on 20th July just one day after Covid restrictions were lifted and it was a sell-out. Moston’s very own theatre at maximum capacity for the first time in 18 months.

For those who haven’t seen the film, Hairspray is set in Baltimore during the early 60’s where schoolgirl Tracy Turnblad dreams of dancing on The Corny Collins TV show. School doesn’t fit in with her plans so, along with her friend Penny Pingleton, she teams up with fellow African American students when they get put in detention. Together, they oust the reigning prima donna from the TV show along with her domineering mother and win the day.

Hairspray is a light-hearted, fun-filled musical with an underlying theme promoting tolerance and integration.

It also happens to be one of my daughter’s favourite films. She knows it inside out; every scene, every song, every dance move. So I was a bit nervous when I took her and the rest of my family to see the show.

Would NWTAC’s version measure up to the award winning film starring the likes of John Travolta, Zac Efron and Michelle Pfeifer?

Answer: they smashed it!

The casting was inspired. Annabelle Cooke bounced out of bed as Tracy with a bright and energetic ‘Good Morning Baltimore’. She was pitch perfect and I knew straight away we were in for a treat.

Eva Carty played Penny Pingleton perfectly while Jonny Molyneux had Tracy’s mum Edna Turnblad down to a tee. Jonny mustn’t have been available when they cast the film so they settled for John Travolta instead! He and his stage husband Gareth Maudsley have comedy timing in their bones.

James Burke followed in the footsteps of Zac Efron playing Tracy’s heart throb. He has a voice that just oozes confidence and rose to the challenge. Meanwhile, Penny’s love interest, Owen Omoruyi-Garci as Seaweed Stubbs, danced his way into her heart while his sister Little Inez (aka Elim Ghebrehiwet) sang her way into ours.

The TV ensemble was led by Anthony Horricks who carried off Corny Collins with professional smoothness. He and the station manager Velma Von Tussle (played by Melissa Grimes) and her daughter Amber (Kate Bannister) were superb.

In the West End, Marisha Wallace as Motormouth Maybelle was described as a show-stopper when she sang ‘I know where I’ve been’. I can only say that NWTAC’s Toyin Lawal, with her wonderful voice and elegance, was equally mesmerising.

Dance routines and songs just kept coming. Not once did anyone’s American accent falter. The full cast of 37 young actors and actresses who train at the North West Stage School did themselves, Beth Singh (Musical Director) and Katie Gough (Choreographer), Prab and the rest of the production team proud. It is such an elaborate show, packed with entertainment, humour and joy.

The past year and a half have challenged everyone but for this company to come through it all and produce a show as good as this is awesome.

My daughter, the whole of my family, loved it!

For all things NWTAC including future shows, professional theatrical training, their fantastic theatre summer school for anyone age 4+, Gap year theatre course, venue/set/costume hire and much, much more just follow them on Facebook and/or on their website where you can sign up to join the mailing list.

Street Life: Are We Nearly There Yet?

A day trip was the nearest thing to a holiday many kids could look forward to in the fifties.

Since 1836, when John Jennison opened his Pleasure Gardens, Mancunians have flocked to Belle Vue. Our journey there was not as simple as today’s car ride. We had a fair walk, followed by two buses. Transferring from one vehicle to another, we must have looked like refugees about to cross the Gobi desert.

Dad hefted the pushchair. Weighing a couple of stone, its only concession to transportability was a fold-down handle. Mum carried her handbag, the baby, plus all the changing paraphernalia, including wet nappy bags (no disposables then). My burden could be macs and/or umbrellas, and a bag with stuff like damp cloths and sticking plasters.

Our first port of call was generally the zoo. The animals were interesting, though their welfare left a lot to be desired. I’m still haunted by the memory of the famous polar bear as he paced around that stark enclosure.

My parents paid up for rides and ice creams. But Mum wasn’t going to stand in a long queue for over-priced food and drink when a few butties and a (glass) bottle of ‘mineral’ would hardly be noticed amongst our survival gear.

The Belle Vue memory I do cherish is gliding at treetop level on the Scenic Railway. The cost – and long queues – were drawbacks for rides like the Caterpillar. Those ‘free’ fake ruins we loved to play on must have been a godsend for parents.

For something farther away than Belle Vue, an enterprising neighbour might organise a coach trip to the seaside. The whole street would set off for the day, and if it was Blackpool, it might even include the illuminations.

Local newsagents acted as booking offices and designated collecting points for day excursions. Outside the paper shop, kids would compete to be the first to spot the ‘chara’ approaching at its maximum permitted speed of 30mph!

Special clothing for leisure activities didn’t exist then. The small crowd of women would be in ordinary dresses, light coats, nylon stockings and comfortable footwear as they waited for the coach. And if not actually in their Sunday best, kids would be respectably dressed. I would have my hair in two plaits with ribbons and a couple (or more) hair slides. My outfit would be a candy striped frock or similar, white socks, and leather or newly whitened canvas sandals.

Adults and children held diametrically opposed theories for what constituted the perfect day trip. All kids wanted was to get cracking with buckets and spades, while adults deluded themselves that the farther the destination, the more exciting the outing (a notion that would soon be dispelled).

About 10 minutes into any journey by train or coach, there would be a plaintive chorus of “are we nearly there?” or “I’m starving, can we eat our butties yet?”

My personal exception to the distance versus enjoyment ratio was New Brighton, where half the pleasure lay in the train and ferry to get there.

Deckchair hire was an expense, so to keep costs down, a decision had to be made about the fewest number they could manage with. Then someone was nominated to fetch the tea tray. A deposit of 10 shillings secured a pot of tea, milk, sugar and the required amount of thick white cups and saucers to be taken onto the beach. By the time the tray arrived, we kids would have discovered what delights the greaseproof paper packets held. Whatever the filling, sandwiches were invariably warm, soggy and sandy.

Where underclothing was concerned, mum made no concession to season or location. Modesty demanded my dress doubled as a changing tent. Vest, underskirt and navy knickers had to be removed under it, before wriggling into that elasticated pea-green swim suit.

Southport was our favourite seaside destination, so unless there was a sudden downpour, those ghastly swimming costumes never got wet. We loved the Peter Pan (later Happydays) playground in Southport. Grandad could usually be pestered into taking us there before he settled down to read the newspaper, with his trouser legs rolled up and a knotted hankie on his head.

Disposable plastic and electronic games devices were unknown. Back then, we set out with little more than a few sandwiches in greaseproof paper and a couple of comics for the kids, and lived to tell the tale.

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Street Life: Saturday Pictures

My old headmistress insisted on calling cinemas ‘picture palaces’. The Adelphi’s art deco style certainly made it seem more palatial than the two other cinemas within walking distance (see ‘Flicks in Moston‘ by Alan Hampson).

The Adelphi matinee cost 6d, and inside the cinema, lollies were 3d. The shop opposite sold them for 1d, which left tuppence for sweets – well worth the inconvenience of sticky ice-melt running down your sleeve as you frantically sucked the lolly while queuing to go in.

The harassed looking Adelphi commissionaire had a moustache and withered arm. Wearing a uniform more appropriate to a Ruritanian operetta, the poor man was expected to keep control of a bunch of rowdy kids. But once inside, he got his own back on his lolly-stained charges.

The Adelphi was quite large and far from full on Saturday afternoons. Yet the commissionaire insisted we fill the front seats before letting us start on the second row, and so on. Only the late arrivals got to watch the screen without having their necks cricked back at an unnatural angle.

Not a discerning audience, we would watch anything so long as there was a picture and sound.

The usual programme contained a mixture of cartoons, cowboys, space fantasy and short comedy films. My personal favourite cartoon characters were Mr. Magoo, Tweetie Pie and Sylvester, which I preferred to Disney’s Mickey Mouse or Donald Duck.

When the nearest thing to ‘abroad’ was the Isle of Man, cinema acted as our ‘window on the world’, and we accepted what we saw there as real, or at least possible.

None of us believed in the futuristic spacemen who could both see and speak to earth from a rocket exploring the galaxy. At the same time, our credibility seemed flexible enough to accept the existence of a wild west with cowboys roping steers and shooting one another. The one implausible cowboy character was the rather rotund and misnamed Hopalong Cassidy, but I could certainly believe in his partner, Gabby Hayes.

Back then, thanks to cinema, Yanks were the ‘foreigners’ we knew most about. Kids might have been excused for thinking you would meet Amos and Andy, Our Gang, and the Three Stooges as you strolled down any US side-walk.

With that in mind, it struck me that my counterpart living in Manchester, New Hampshire, might have had an equally strange view of the British. Would she expect to encounter Sherlock Holmes, wearing his trademark Ulster and deerstalker, as he hunted for the Blue Carbuncle in a swirling ‘London particular’?

The final item in the matinee was always a serial, which concluded with the words ‘don’t miss Next week’s thrilling episode’. Virtually every serial featured the same outcrop of rock in the same desert, with little variation in plot.

Typically, a hero (often a cowboy) set out to right some grievous wrong. His adversary was sometimes masked but always dastardly and villainous. The two would be involved in a perilous chase, culminating in a thrilling ‘cliff hanger’.

Each week, with our very own eyes, we watched the stagecoach or motor car containing the hero plunging over the cliff edge. The following Saturday, the reprise showed the vehicle swerving away from the canyon’s edge in the nick of time. Discussing it on the way home, the miraculous escape was universally pronounced a ‘right swizz’.

Each serial had 12-15 parts, so practically nobody saw one all the way through. But come Monday, there was sure to be someone in the school yard willing to relate the thrilling climax (with actions for those who missed it on the previous Saturday).

Occasionally we got British ‘shorts’ featuring child actors such as Harry Fowler. One I recall was a gang of kids who decided to try window cleaning to get money to go hop-picking. They had no ladder, so had to design and build an ingenious device to do the upstairs windows. The film makers were obviously unaware that, to Mostoners, the idea of hop-picking was as foreign a concept as some of the things the ‘Our Gang’’ kids got up to.

Years later, I discovered there were such things as Junior Cinema clubs. I was miffed to have missed out on the badges, songs and yo-yo displays the ABC and Regal minors’ enjoyed.

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