Street Life: Where did it all go….?

Imagine stepping into your house to find it had gone back seventy years in time.

If you had a telephone, it would be bakelite, and probably stood on the hall table for maximum impact on the neighbours. The primitive instrument didn’t have a single push button, let alone a touch screen. I wonder how many of today’s youngsters would know how to go about using it to ring Failsworth 1956?

In the kitchen, you would probably find packets of clear starch, washing soda, dolly blue and laundry soap on the oilcloth-lined shelves.

Somewhere there would be a wash boiler or zinc tub with posser, rubbing board, flat irons and a ‘maiden’ (wooden clothes airer).

If the house lacked a larder, there might be a wooden cabinet with perforated zinc doors. This meat safe was designed to allow air but not flies to get to foods now kept refrigerated.

Fireplaces were the focal point of the living room. The hearth would have a stand with fire irons (poker, shovel, fire tongs and small round brush), known as a ‘companion set’. The mantelpiece likely had at least one black and white family portrait, sometimes hand-tinted to pass as a colour photograph.

Hi-tech at the time, the radiogram replaced the piano as the status symbol in ‘the best room’. With parlours kept exclusively for visitors, a fire screen (the more ornate, the better) concealed the bare, seldom used grate. Lacking a parlour, the one my parents received as a wedding present stood before the desultory iron grate in their bedroom.

The most noticeable bedroom disappearances are, chamber pots (the Po), flock mattresses, and counterpanes. Wartime shortages meant bedding was often patched and dingy from much laundering. Young housewives disguised the shabbiness of their beds with fashionable sateen or lacy counterpanes like the ones they saw at the cinema.

My grandparents slept on their lumpy flock (kapok) mattress until the 1960s.

As a young child, I had my afternoon sleep on that bed. But I was oblivious to the lumps while falling asleep to the strains of ‘My old man said follow the van’, which was one of nana’s extensive repertoire of music hall songs.

In the days when Friday night was Amami night, bathrooms for those lucky enough to have one, were often cramped and cold.

My mum’s horror of nits meant my long hair was washed with either Derbac or green soft soap in the kitchen’s pot sink. Something must have worked, as I never had an infestation of those nasty crawlies.

Between the weekly hair wash, pin curls (a strand of hair secured by two crossed kirby grips) would do for work. But come weekend, styling was achieved with paraphernalia the Spanish Inquisition might recognise.

Water lily shampoo pads were the latest thing. After washing, setting lotion was applied, and depending on the style required, one or more items of ironmongery were employed. A sort of curved bulldog clip with fierce teeth was used for waving, while curls were created by winding hair onto metal curling pins.

Until the boyfriend’s knock sounded at the front door, the finished style was protected by a hair net. These nets could vary from ‘invisible’, to the full ‘Ena Sharples’.

The lad’s hair would likely be Brylcreemed, and if he was a ‘sharp dresser’, might be sporting drainpipe trousers and crepe soled, ‘beetle crusher’ shoes.

The disappearance of some items is to be regretted, but I feel seamed stockings won’t be missed by anyone forced to wear them. They were becoming old fashioned when, as a young teenager, my dad came home with a pair he probably bought cheaply from someone in the pub or at work. Those seams never stayed straight, and I would honestly rather have gone out with my legs covered in gravy browning, complete with eyebrow pencil seams, which was the wartime answer to a shortage of stockings.

Products containing the lethal hexachlorophene once added to Signal toothpaste and baby toiletries, has rightly been consigned to the dustbin of history. However, rather than vanishing altogether, other less than healthful products simply changed their name. These days, no cigarette manufacturer would dare tempt smokers with benign pastoral names like Woodbine, Sweet Afton or Passing Cloud.

But, some things really did vanish. Who now remembers Rinso (detergent), pluck (offal for animals) or Benger’s food (wheat flour and extract of pancreatic enzymes which pre-digested warm milk for invalids).

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North West Theatre Arts Company – Phantom Memories

The new season at North West Theatre Arts Company, Lightbowne Rd, Moston is under way and what a great start!

Phantom Memories is set in a disused theatre that four youngsters find their way into. Dusty props, odd items of costume and pieces of faded scenery present a creepy, haunted atmosphere. They’re caught red handed by the ageing caretaker, Bud Berger, superbly played by the young Harry Gardner. They run off leaving one young lady behind.

Finding herself alone she curiously starts to sort through the dusty objects. Each one she touches conjures us up ghostly images taking her, and the audience, back in time as they perform their memories from past musicals.

NWTAC’s theatre school term started just 4 weeks ago and the cast represents the full range of students including the newest members and the most experienced. A month is not a lot of rehearsal time so it was ‘in at the deep end’ for the newbies. They did so well. Early nerves soon dissipated and everyone grew in confidence as the show unfolded.

The musical numbers showcased a variety of West End productions, big box office films and the best of Hollywood hits such as Jesus Christ Superstar, Grease, The Sound of Music, The King and I, Evita, South Pacific, The Wizard of Oz, Half a Sixpence and more. Something to suit everyone.

The full company kicked off with The Phantom of the Opera, closing the show two hours later with Born to Hand Jive and You’ll Never Walk Alone. In between we had solos, duets, comedy pieces and one or two cheeky numbers too.

Somewhere Over the Rainbow is one of my all-time favourites. It’s just ‘up there’ and Amelia Zatorska sang it so sweetly that I and the rest of the audience melted. Gareth Maudsley’s rendition of Flash! Bang! Wallop! was brilliantly energetic and I’m convinced he’s related to Tommy Steele. If You’ve Got It, Flaunt It by Maria Collins was soooo tongue in cheek it made us blush. James Llewellyn Burke nailed all of his numbers including Gethsemene and Madame Guillotine with real passion, matched by Solomon Asante-Owusu and Lois Ormerod’s ‘crime of passion’ with We Both Reached For the Gun.

All these numbers would have fallen flat without the brilliant staging and direction of the production team. It’s easy to overlook the skills involved. Some of dance routines were complex yet executed with precision and that’s a tricky challenge for such a large cast, so, well done to Choreographer Katie Gough. A total of 39 musical numbers must have left Bethany Singh, Musical Director, feeling very proud and rightly so.

This was the first of a season of 8 shows that NWTAC will perform over the coming months and the script was inspired: A lovely trip down memory lane. What can beat a live performance, close to home and it doesn’t break the bank to go and watch?

If you have never been to NWTAC’s theatre and don’t know what to expect this is a view of the interior with the show’s Director, Prab Singh in the foreground…

NWTAC are truly a talented group of people but don’t take my word for it. Go and see for yourself. Winter Wonderland, a variety concert to get you in the mood for Christmas, comes up next from the 18th to 20th November. See you there.

Details of all forthcoming shows, how to join the mailing list and book tickets etc., can be found on NWTAC’s website here, along with details of the North West Stage School.

You can also follow them on Facebook, just click here.

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Jacem

St. Mary’s Road, Moston, is almost entirely residential nowadays, but not so long ago it housed several industries, including one which is almost completely forgotten.

John Johnson of Manchester, an iron wire-drawer and maker of nails and pins, had a business in the early 1800s on Shudehill, and later in Ancoats and Dale St. In 1838, he handed over the business to his younger sons, Richard and William (born in 1809 and 1811), the firm being named “Richard Johnson and Brother”. An older son, Thomas Fildes Johnson, became a cotton spinner, taking no part in the wire trade, but Richard and William expanded the business and made their reputation by supplying the wires for the first cross-Channel telegraph cable in 1851.

In 1853 the brothers took over the Bradford (Manchester) ironworks on Forge Lane and after William’s death in 1860, Thomas’s son John Thewlis Johnson became a partner, the firm now becoming “Richard Johnson and Nephew”. This is a name still familiar to many, as it thrived right up to the 1970s, when it was acquired by Firth Brown Ltd. The brothers also held shares in the nearby Bradford Colliery.

In addition to producing wire and cables, which now included copper and brass as well as iron, around 1860 Richard co-founded another firm to make hardware items such as wire gauze, netting, brick ties, concrete reinforcing mesh and many other items for domestic as well as industrial use. Two new partners joined him in this venture: William Clapham and Joseph Morris (from Swansea) – this firm, based at the old Dale St premises, was named Johnson, Clapham and Morris. The combined operations employed around 550 people in 1861.

The company enjoyed continued success and after St.Clement’s church on Lever St closed in 1878, it was acquired for their main office and warehouse. By 1880, Richard had earned enough to buy a grand house in Chislehurst, Kent, where he died in Feb 1881, although his body was brought back to Cheetham Hill Wesleyan Cemetery for burial in the family vault. An only son, also Richard, had died in 1865, so once again it was a nephew, William Henry, that carried on the Johnson name.

Phenomenal business expansion prompted the establishment of a new, larger works in Moston, (sometimes referred to as Newton Heath), begun in 1902 off St.Mary’s Road, close to Tymm St. The new – appropriately named – Clapham St and Wireworks St (now Beechdale Close) were later added. Miner’s lamps, bedsteads, galvanised dustbins, lawn-mowers and all manner of other products supplemented their range, under the brand-name “Jacem”, formed from the initial letters of the company name.

William Henry Johnson had four sons, of whom two were killed in action in Belgium during the First World War. Since their father had died six months before the war started, each in turn briefly became managing director. William Morton Johnson was a Captain in the Manchester Regiment, and died on 2 July 1916; Capt. Ronald Lindsay Johnson, Royal Field Artillery, was killed on 29 May 1917. Ronald, in his will, desired his estate to be shared among the workers at J, C & M – this was later effected by purchasing part of the Broadhurst estate and creating playing fields for the works staff, named in his memory.

Around 1925, the company acquired premises next to St. Cuthbert’s church on Third Avenue, Trafford Park, which they named “Jacem House”. By now they were acting as general hardware wholesalers, and this became their head office and warehouse, while retaining the works in Moston and elsewhere for manufacturing their own-brand items. At their height, they also had premises in Liverpool, London, Middlesbrough and Glasgow, and offices in Australia and New Zealand.

As “Jacem”, they continued to supply hardware goods and were reputed to be a good firm to work for – they even featured in a promotional film for Stretford Borough in 1933, showing off their well-equipped staff canteen. Gradually, however, the manufacturing side was scaled down, and the Moston site was sold in 1934 to Ferranti Ltd (another story, as they say).

The company continued to trade as wholesalers up to the 1970s at least, and although I have not discovered exactly when it closed, Jacem House was demolished during 1989, much of Trafford Park ‘village’ following soon after.

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