Bouncers and Shakers at North West Theatre Arts Company

Intriguing title and no idea what to expect. I’m ever ready for a surprise at NWTAC so, assuming it’s a new one on you too, I’ll set the scene.

Location: A night-club in a town centre: Could be anywhere so for us, it’s Manchester. Shakers Cocktail Bar.

Era: Late 1970’s: But, as NWTAC like to put their own slant on things, some references are more recent.

Main characters: Four night-club bouncers. Four cocktail barmaids. Four lads on the lash. Four girls up for a night out.

Event: One night out on the town and the preparations leading up to it.

Maybe you’re thinking “sounds pretty straight forward”. It’s actually two plays merged together into one and the 16 plus characters are played by just 8 actors.

So, now you could be thinking “sounds pretty complicated”. Nope, just very clever and very, very funny.

As we filter in from the bar area we’re involved in the show before it even starts. Smart suited young men greet us and show us to our seats before we realise they’re actually the bouncers in the show. They inform us the performance is about to begin.

“Any filming or flash photography is not allowed and mobile phones must be turned off…”. Then sternly add “…or there’ll be trouble.”

I fumble for mine, just to check, even though I know it’s off! From there we’re transported to their ‘world’; standing in a freezing club doorway waiting for the pubs to close and the nightclub client’s to roll up, in whatever state they’re in.

Scene Two is a hairdressing salon but is this where we’re introduced to the girls? Ah no. The bouncers do a character flip and play a group of girls getting ready for a night out. Giddily gabbing away, deciding what hairstyle’s best or what colour nail varnish they want amid getting all the gossip and bitching about this or that.

It’s a while before the real girls, aka cocktail shakers, take to the stage and they have a similar start. Getting ready for another night behind the bar, wiping down tables and discussing the new brazen uniform they’ve be told to wear. Before long they too do a character flip and jump scene to a fashion shop changing room. The banter has us in stitches.

These role changes are executed so well. Each character is totally believable, the script is brilliant and it’s fascinating to watch.

I’m a Manchester lass. I went to those night-clubs and bars and hairdressers and dress shops in the 1970’s. I remember the changing rooms in Chelsea Girl and the freezing mile long taxi queue at 3am in Piccadilly. God, feet like blocks of ice. I was there! And, going off their reaction, so were most of my fellow audience.

We loved every minute of this play. Thank you Bouncers: Jonny Molyneux, Gareth Maudsley, Solomon Asante-Owusu and Owen Maudsley for your wit and timing. Thank you Shakers Toyin Lawal, Jade Hamer, Kate Bannister and Melissa Grimes for your humour and sass. You were thoroughly entertaining and a joy to watch.

The line-up for Saturday’s performance was slightly different but I hear they stormed it too.

NWTAC’s theatre is on Lightbowne Road, Moston and their next project is Shakespeare’s A Midsummer Nights Dream. Click here for all the details and how to book your seats.

Puss in Boots at North West Theatre Arts Company

I’m at NWTAC’s theatre on Lightbowne Road, Moston settling down and soaking up the atmosphere. It’s January, bleak and I need cheering up.

Our story is set by the Blind Cobbler, aka Harry Gardner, displaying a magical pair of boots and how they will work wonder on anyone who wears them. Harry’s portrayal was spot on, as it was each time he appeared on stage, and I rather warmed to the chap.

The multi-talented Jonny Molyneux swapped his assistant director’s chair (Scrooge the Musical) for a variety of tree-mendous, resplendent Dame costumes. He had us in stitches from the moment he arrived on stage, with great comedy timing, ad libs and the ability to engage an audience with skill and confidence. He was ably supported by Alfie Cook, Lois Dibden and Erin Carty playing the hapless trio Muddles, George and a very comical Esra.

The magical boots transformed the delightful cat (Shannon Ryan) into ‘Puss in Boots’, played by Poppy Evans. This purrfect casting really paid off. Poppy and Kate Bannister, as her master/Principal Boy Colin, worked so well together. Both have fabulous voices, they nailed their routines and were a delight to watch.

Kate also sang duets with the Principal Girl, Princess Rosalind, played by Grace Donohue. Her parents were inspired when this young lady was born. She literally graced the stage and when she sang a solo, she owned it. I’m not biased by the fact the song was one of my favourite Lewis Capaldi tracks – honestly, she just delivered it so well.

A special mention has to go to James Burke. James’s characterisation of a ‘camp’ Spanish court chamberlain was fabulous. His accent and mannerisms were superb. Most of his appearances on stage were shared with a convincingly ‘spaced-out’ dizzy-minded King Phillip (Gareth Maudsley) making a great comedy duo.

The main characters were supported by a cast of nimble dancers and an ensemble that had me wondering just how big the area behind the stage must be. They arrived on stage and exited again with their own air of professionalism, working their routines to deliver a memorable and slick performance. They all looked and sounded amazing.

It’s easy to take the passage from one scene to the next for granted. The plot unfolds in various locations including a woodland copse, a palace, castle, dungeons and cat world but each transition is seamless. Scenery glides about silently, with not a bump or wobble to be heard or seen. It’s all part of the magic and the NWTAC production team pull it off perfectly. They deserved the applause at the end as much as stage performers.

Preparations will already be underway for the next project, Bouncers and Shakers so, if you’ve no plans for Valentine’s Day, look no further. Performances take place on Friday 14th and Saturday 15th February. Tickets are in demand and will sell out fast, so best book early.

A few short weeks after that NWTAC will be performing Shakespeare’s A Midsummer Night’s Dream, running from Thursday 12th March to Saturday 14th March.

Productions planned later in the year include Factory Fest, Hairspray and High School Musical.

Full details including dates and how to book can be found on NWTAC’s website, just click here.  You can even sign up to join their mailing list.

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Sleeping Beauty at North West Theatre Arts Company

Don’t know about you but I’ve had withdrawal symptoms since ‘…Celebrity Get Me Out of Here’ finished.

It’s panto season though and where better to go in this wet and windy weather but our very own local theatre on Lightbowne Road, Moston.

North West Theatre Arts Company (NWTAC) don’t do anything by halves, they put their hearts and souls into making your theatre experience one to remember. Last year’s panto was brilliant but does this year’s measure up?

Here’s what to expect.

Pantomime, notwithstanding adult ‘double entendres’, is essentially for children, so the bar sells non-alcoholic and hot drinks plus a range of savouries and sweets. There’s also a variety of souvenir toys on offer. I was tempted to buy one but passed on a psychedelic flashing wand and settled instead for a hot chocolate.

As we filtered in and took up our seats you could sense the excitement of the children. It was infectious and added to the air of expectation.

Curtain up and, in turn, each of the main characters bounced onto the stage and introduced themselves. Straight off Maleficent was magnificent; as scary as the evil witch from Walt Disney’s Snow White (and she scares the wits out of me). Everything about her was awesome from the spooky, gravelly voice to her dark swirling gown and black horns.

Prab Singh, at least they said it was Prab but I’m sure he sported a beard the last time I saw him, played the bauble bedecked Dame, just as funny as. Fairies always have wonderful dresses too. The Lilac Fairy’s was no exception. She delivered her pretty musical prose in feather light tones and in perfect contrast to Maleficent’s raucous groans.

The Dame’s supporting, and may I say dextrous, comedy trio consisted of Trumpy, Pumpy and Silly Billy and had us rolling about in our seats.

At the interval I picked up a conversation between two mums on the row behind that started “I haven’t laughed this much since….”. Unfortunately, I missed the end bit as the usherette came by and I never pass up the chance of an ice-cream.

The courtiers danced their hearts out while Sleeping Beauty and her charming prince sang beautifully. They brought gasps of delight from the little ones in the audience. It warmed my heart and I loved it.

NWTAC’s talent extends to include stunningly bright lavish costumes together with quality props and sets to enhance the visual story telling. Panto is the perfect opportunity for the script writers to bring their own adaptations into the mix and opportunities for audience participation don’t get missed. I won’t spoil the surprises; ad-libs mean every performance is different anyway.

I left feeling happy inside and in the right mood for Christmas. Suffice to say the gap in my life, now that ‘celebrity jungle’ has ended, has been well and truly filled.

Does this year’s panto measure up? Don’t ask me. Buy a ticket and see for yourself.

The show continues on Friday 20th December and twice a day Saturday 21st, Monday 23rd and Tuesday 24th. Tickets are available through Groupon or by calling the box office on 0161 207 1617.

For full details of this and future shows click here for NWTAC’s website or follow them on Facebook.

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