Sleeping Beauty at North West Theatre Arts Company

Don’t know about you but I’ve had withdrawal symptoms since ‘…Celebrity Get Me Out of Here’ finished.

It’s panto season though and where better to go in this wet and windy weather but our very own local theatre on Lightbowne Road, Moston.

North West Theatre Arts Company (NWTAC) don’t do anything by halves, they put their hearts and souls into making your theatre experience one to remember. Last year’s panto was brilliant but does this year’s measure up?

Here’s what to expect.

Pantomime, notwithstanding adult ‘double entendres’, is essentially for children, so the bar sells non-alcoholic and hot drinks plus a range of savouries and sweets. There’s also a variety of souvenir toys on offer. I was tempted to buy one but passed on a psychedelic flashing wand and settled instead for a hot chocolate.

As we filtered in and took up our seats you could sense the excitement of the children. It was infectious and added to the air of expectation.

Curtain up and, in turn, each of the main characters bounced onto the stage and introduced themselves. Straight off Maleficent was magnificent; as scary as the evil witch from Walt Disney’s Snow White (and she scares the wits out of me). Everything about her was awesome from the spooky, gravelly voice to her dark swirling gown and black horns.

Prab Singh, at least they said it was Prab but I’m sure he sported a beard the last time I saw him, played the bauble bedecked Dame, just as funny as. Fairies always have wonderful dresses too. The Lilac Fairy’s was no exception. She delivered her pretty musical prose in feather light tones and in perfect contrast to Maleficent’s raucous groans.

The Dame’s supporting, and may I say dextrous, comedy trio consisted of Trumpy, Pumpy and Silly Billy and had us rolling about in our seats.

At the interval I picked up a conversation between two mums on the row behind that started “I haven’t laughed this much since….”. Unfortunately, I missed the end bit as the usherette came by and I never pass up the chance of an ice-cream.

The courtiers danced their hearts out while Sleeping Beauty and her charming prince sang beautifully. They brought gasps of delight from the little ones in the audience. It warmed my heart and I loved it.

NWTAC’s talent extends to include stunningly bright lavish costumes together with quality props and sets to enhance the visual story telling. Panto is the perfect opportunity for the script writers to bring their own adaptations into the mix and opportunities for audience participation don’t get missed. I won’t spoil the surprises; ad-libs mean every performance is different anyway.

I left feeling happy inside and in the right mood for Christmas. Suffice to say the gap in my life, now that ‘celebrity jungle’ has ended, has been well and truly filled.

Does this year’s panto measure up? Don’t ask me. Buy a ticket and see for yourself.

The show continues on Friday 20th December and twice a day Saturday 21st, Monday 23rd and Tuesday 24th. Tickets are available through Groupon or by calling the box office on 0161 207 1617.

For full details of this and future shows click here for NWTAC’s website or follow them on Facebook.

Related Stories

A Christmas Carol at North West Theatre Arts Company

Winter’s not for me. Much rather stay in my cosy Grinch cave. Instead I’m at NWTAC’S theatre on Lightbowne Rd. Brrrrr. It’s an icy wind blowing up my pants so I slip inside, get straight to the bar, glug my wine, toss the glass over my shoulder and saunter to my seat.

Ebenezer Scrooge, my distant relative, is star of the show. Got to show willing. Bah!

Curtain goes up to reveal a truly miserable street housing his dark, dismal abode. It’s misty, spooky even – perfect. I manage to withhold my glee until the man himself appears on the stage. My heart wells up to find he’s as miserly an old geezer as a miserly old geezer could be. Wonderful! I nod, smugly, at my fellow audience.

Then, before you know it, singing and dancing. What’s up with these people? I tried to put my fingers in my ears. Tried to stop them. But they just kept doing it. Singing…and dancing? Utter ruination. Bah!

Then it happened. I started to chuckle. Once I start to chuckle that’s it. Game over.

The ghosts of Christmas Yet Come, of Christmas Past and Christmas Present were universally brilliant. So funny they blew my socks off. The supporting cast were superb and the whole show expertly put together.

Acting, singing and dancing aside it’s the attention to detail that never fails to impress. The costumes were perfect from the top hats and floppy bedtime caps, down to the buckled shoes and soft leather boots. Sound effects and special effects created the perfect atmosphere for each scene. Bright colourful lights danced with the razzmatazz, spot lights caressed the tender duets and soft shadows enhanced more sombre moments.

Make-up turned Gareth Maudsley’s face into an old Scrooge’s so well that you didn’t give his true age a second thought. His deliverance of the role was fabulous. Even I felt sorry for him. Briefly.

As usual, the NWTAC team put their own clever spin on this traditional Christmas play. The story telling was up-beat and perfect, sending a message that applies as much today as it did when Dickens first penned it.

Two or so hours passed in no time. I didn’t want it to end.

“Some people are just born with jazz hands, aren’t they?” someone said as I chuckled my way out into the night.

I admired my long green hairy sprouting fingers. Ah, they must mean me.

Details of this and upcoming productions at NWTAC are on their website here. You can sign up for their newsletter or follow them on Facebook.

Also, keep an eye out for them over the coming weeks. They’ll be performing at the Moston Community Annual Event at Moston Green (outside St Dunstans Church) on 30th November and leading carols at Failsworth Lower Memorial Park on 10th December.

Street Life: Remember, remember the 5th of November

If the 1605 plotters had made the attempt on the life of James I with a dagger, would it still be commemorated 400 years later?

Round our way, Halloween came a poor second to logging and ‘penny for the guy’. Enterprising lads shone torches into back yards and gardens, looking for discarded furniture and old wood. The occupant of the house would be approached and politely asked if they wanted it removing. Too curt a refusal could result in the ‘liberation’ of said article, along with a section of garden fence.

The brick back yard air-raid shelters had a flat roof that was ideal for keeping wood out of sight of rival loggers. An alarm system consisting of a string of strategically placed tin cans was supposed to alert one of the gang whose bedroom overlooked the back yard – a triumph of hope over experience if ever I heard one.My recall of actual bonfires in Moston is rather sketchy, but fireworks are another matter. Dad chose ours individually and I spent days sorting through the collection stored in the biscuit tin under my bed (what’s Health and Safety?).

Rip-raps were my favourite and, along with Snowstorms, Golden Rain and other tamer fireworks, cost about three halfpence (approximately half a decimal penny). Pin wheels, rockets and sparklers varied in size and were generally more expensive. Roman candles could cost as much as a shilling (5p each).

My specific bonfire memories come after our move to New Moston in 1956. Because of its close proximity to Failsworth and Chadderton, the Manchester ‘penny for the guy’ and Oldham’s ‘cob o’ coaling’ co-existed in New Moston. Collecting with a guy was a static activity while ‘cob ‘o coalers’ went door to door chanting…

“We’ve come a cob ‘o coaling, cob o’ coaling, cob ‘o’ coaling, we’ve come a cob o’ coaling for bonfire night.”

The sleeves and trouser legs of old clothes were tied with string and stuffed with screwed up newspaper. With a mask and hat on a pillow case head, you had your guy. My dad was allocated new uniform trousers once a year, so Guy Fawkes often met his doom wearing a third best pair of GPO issue pants with red piping down the seams.For reasons best known to city planners, our large back garden formed a cul-de-sac completely enclosed by those of all the neighbours. It was so far from the house, mum couldn’t chance hanging out washing if it looked like rain. The only way to reach ‘our back’ was via a long, narrow unmade path, snaking around 5 or 6 other gardens. The result of this anomaly was that from 1957 onwards, we hosted the street’s communal bonfire.

A couple of dads would be deputed to let the pooled fireworks off at a steady rate. Most adults brought themselves a kitchen chair to sit on but one memorable year, someone donated an old leather-cloth three piece suite. We took turns sitting on it until it was the only combustible item left. Then the furniture went onto the fire with Guy Fawkes sitting on top.There was always a plentiful supply of things to eat. If you took your own basin, you could help yourself from the large brown jugs of black peas seasoned with salt and vinegar. And there was no shortage of parkin and treacle toffee, both home-made and shop-bought. The obligatory sooty, half raw potatoes were fished out of the ashes, and an unspoken conspiracy proclaimed them delicious.

Trousers were not our family’s only contribution to the proceedings. Dad brewed ginger beer from one of those strange plants in vogue at the time. The bubbling demi-john had to be racked off regularly, and the larder soon filled up with various vintages that were universally vile. But judging by bonfire consumption rates, less discerning palates than mine appreciated it.

For some inexplicable reason, the sticks from rockets, spent firework cases and sparkler wires held a strange fascination for the kids who dashed out to collect them on November 6th. 

The annual aftermath of bonfire night was a week of damp, evil smelling smog. Naphtha flares that can only have added to the pollution, burned at the junctions of major roads. It was black as night by half past two and children were sent home from school early. Buses crept along at a snail’s pace. And rather than waiting for the designated stop, passengers ‘decked off’ the open, rear platform at the nearest point to home.

It’s many years since I was at a communal street bonfire, but as a gesture toward the tradition, I shall be making black peas and parkin, as usual.

Related Stories