“The best feeling ever.”

“Left hand…right hand,” encourages Ellie. “Now shadow box… switch… and stretch.”

While the 15-year-old is warming up the youngsters, Tommy Mcdonagh shows me a photo on the boxing gym wall. “This was taken five years ago when we took over. That’s Lyndon Arthur, he’s professional now, unbeaten in four fights. That’s Zelfa Barrett, unbeaten in 15.”

He shouts across the training room: “Everyone get some gloves on!”

And then, to me: “We try and get them as young as possible and bring them on.

“I joined this club when I was just eight, like a lot of these,” he says. “I had my first fight at 11. I boxed for England as a schoolboy, and then as a youth and was National Champion two or three times, 66 amateur fights altogether.

“I turned pro at 18 and had 40 professional fights. I was WBU Champion, and competed for English, Commonwealth and World titles.”

“All from this club?” I ask, looking round.

Collyhurst and Moston Lads Club ABC is 100 years old this year. For much of its fascinating history it was run by Brian Hughes MBE – the ‘Godfather of Manchester Boxing’ – who was coach and mentor to dozens of local young boxers including Tommy and his partner, Pat Barrett.

Tommy ties the laces on one of the lad’s gloves. “In 2010, when I was retiring from boxing, Brian handed the club over to Pat and me and we’ve been doing it ever since.”

He’s back with the youngsters now, “Four punches: one… two… three.. four. And back”.  I borrow Ellie for a little interview.

“My little brother started coming down,” she points out one of the junior boxers, “so I’d come and use the gym to get fit. When I saw him training I thought I’d give it a go.”

“It looks like you’re the only girl here. How do you feel about that?” I ask.

“It doesn’t bother me. I get on with all the lads. It’s like we’re a big family.”

“What was it like getting in the ring for the first time?”

“I was nervous, but once I was in there doing it, I enjoyed it. I had a good feeling about myself.”

I know nothing about boxing and admit it to Ellie. “But is it equal, when you are sparring with the boys?”

“We’re both the same. We don’t go out to hurt each other.”

Ellie tells me she has now had five ‘skills’ – a non-competitive exhibition of what she can do – and one proper fight at Ashton Masonic Hall.

“Did you win?” I ask. Ellie smiles modestly. “Congratulations.”

“I did what I had to do and all the training paid off. When they announce your name as the winner, it’s the best feeling ever.”

Continued in “We’re teaching these kids a way of life.”

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MaD by name, mad by nature

I like the MaD Theatre Company. Probably because they are just a bit mad. I like Rob and Jill’s enthusiasm. And I especially like the way all the young people in this Thursday evening rehearsal encourage and support each other.

“Our whole thing is about using drama to develop skills for life,” Rob tells me, “not about churning out professional actors.

“Often they do get on stage or TV and some have done really well. But, for us, it’s about building confidence and self-esteem. I’m dead chuffed when our kids go on to university or get a good job. One lad’s doing a PhD in Criminal Psychiatry.”

There’s nothing high brow about MaD. And I like that too. They perform to audiences who wouldn’t normally go to the theatre, often in places where people don’t realise they’re watching theatre.

Their plays are about real life and always relevant to their audiences. “Our local housing association asked us to write a play that included dog shit and fly tipping… but in a funny way,” says Rob. “And so we did.”

“Do you want to get some chairs in a circle?” Rob calls out to the young people as the place fills up. We’ve at the Simpson Memorial Hall on Moston Lane, MaD’s base for the last 12 years. It was originally built by Alice Simpson, the daughter of a wealthy silk merchant as a school to support local kids. Seems appropriate.

Elsewhere in the expansive hall there’s some filming going on. “We re-making our Cottage Pies film about domestic violence,” Rob explains, “which we tour to schools and all over.”

As Rob gathers the group I chat with 19-year-old Alana who’s come back this evening to help with the filming. Her MaD years are behind her now but I ask what she’s got out of it all.

“It definitely brought me out of my shell and made me more confident,” she says after explaining her first role, at the age of eight, was as a loan shark in a play called ASBO. “It sounds odd but it was funny and it worked.

“It helped me be the person I am today, 100%,” she says, emphatically. “You had to work to deadlines and have discipline. That helped me in school when I had to time manage my revision.

“It’s given me positive life skills and made me work hard. I’ve got a good work ethic because of it.” Alana is working to pay for a world trip before she goes to university next year.

“MaD is like a big family,” she says, looking over at the youngsters in their circle, “I’ve made lifelong friends here.”

Later I watch transfixed as the young people hand out scripts and rehearse their ‘dog shit and flytipping’ musical – I’ve Got You Babe – which has now been commissioned to tour residential nursing homes.

The young people can hardly hold it together as they recount the story of Moston Marilyn’s romance with Northwards Norman from the housing.

“Baby, when I met you I was on my arse,” sings ‘Norman’ as if he’s Kenny Rodgers. “My whole life was empty, it was one big farce.”

It’s all a bit mad.

Interested in joining MaD Theatre? Contact Rob on 07788 163151 or email him

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Collaboration and more collaboration

“We’ve been involved with the LRG (Local Reference Group) from the beginning,” Rob tells me. “It’s all about Harpurhey and Moston and, as we’re based here in the middle of Moston, getting stuck in was a no-brainer.

“We’ve got history with Forever Manchester,” he says as we chat before their weekly rehearsal. “We’re one of their cultural ambassadors and we big them up whenever we can.”

Rob Lees and Jill Hughes set up MaD Theatre Company 21 years ago. They’ve never had regular arts funding like some theatre groups and at times it’s been a struggle. Instead they’ve applied for pots of money here and there and, with heads down, they’ve got on with it.

“So, what’s being on the LRG ever done for you?” I ask, tongue in cheek.

“Actually, it’s been really good,” says Rob. “Up until a couple of years ago we were very much on our own. But with all the cuts it was getting difficult and we had to re-think how we worked. Partnership working was the way forward and Forever Manchester has encouraged that.

“Now we are partnered with Collyhurst and Moston Amateur Boxing Club and with FC United. Already we’ve done joint projects together.

“Last year we did this,” Rob digs out a colourful flyer from under a stack of scripts on his desk, “Conceived in a Curry House. It was a play about the history of FC United, performed by some of the football club members and our own. And that was funded by Forever Manchester.”

“Do you think you got the funding because you were in partnership together?”

“Completely,” says Rob. “We’ve since done another project with the football club and boxing gym all about youth leadership. Members from all three of us came together and we encouraged our juniors to become youth leaders.

“Our whole thing is about bringing art and sport together because people can never imagine them together.”

Rob tells me of another joint project with the boxing gym, commissioned by the Home Office, all about the danger of gangs. “That got toured around local secondary schools,” he says, “The Police and the Home Office loved it.”

This year Collyhurst and Moston boxing gym celebrate their centenary and, if a joint bid to the Heritage Lottery Fund is successful, they and MaD will collaborate with the archive people at Central Library on an exhibition and film.

“We’ll be using their young boxers as actors,” says Rob enthusiastically, “to play their predecessors from way back.”

There are other projects too. One with Manchester Metropolitan University – funded by Comic Relief – that sees local young woman in danger of joining gangs diverted into, yep, drama, boxing and football.

“And that too has been a result of working in partnership?” I ask.

“Yeah,” says Rod. “Genuinely it’s been a great thing. Oh, and there’s our collaboration with a construction company and an orchestra…”

“Stories like yours will be inspirational to other groups,” I say, “and that’s one of the reasons for writing this blog. I can guess what you’ll say, but what advice would you pass on to other community groups right now?”

“It’s about collaboration. Partner up with other organisations that have the same values. They don’t have to be doing the same things. Think out of the box: drama and football, drama and boxing. In many ways it’s better if they’re completely opposite and funders will go, Wow, what’s that?”

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