Street life: All the Fun of the Fair

For centuries, fairs were welcomed as a break from the drudgery and monotony of everyday life. In the fifties, touring fairs were pretty small scale. Road locomotives were still being used to shift heavy equipment as well as providing electricity for lights and that unique fairground sound.

A whisper that the Showman’s wagons had been spotted would send a ripple of anticipation running through any district.

By hook or by crook, every kid was determined to visit the fair. To raise money, some ran errands and others cajoled adults into parting with bottles which had a few coppers back when returned to the shop.

Back then, waste ground, parks or playing fields were where fairs set up. In Moston, one of the regular fair sites was some land on Lily Lane, which I think belonged to the brick works.  It was near my school and I recall some of the small hand-operated roundabouts opening in the afternoon. I presume they made a few bob from the mothers of young children being collected from school.

The biggest of the evening rides were the waltzer and the dodgems. One year I seem to recall a (relatively) Big Wheel. I was (and still am) afraid of heights, so that one wasn’t for me. My favourite was the ride introduced in 1891 which was originally called the ‘English gallopers’.

In the 1920s, a BBC advisory committee on the standardisation of English suggested the name ‘gyratory circus’ for what is commonly called a roundabout. I’m certain it would have taken more than the BBC to persuade my grandad to adopt that mouthful for what he called ‘dobbiwakes’. And thanks to him, the ‘gallopers’ are still known as ‘dobby horses’ in our family.

Half of most fairgrounds were given over to booths and stalls offering prizes. Dads and older lads gravitated towards the ones where they could demonstrate their prowess with darts thrown at playing cards, rifle shooting or chucking miniature mopheads at a pile of tin cans.

Coconut shies were popular with everyone, but the target nuts appeared to be cemented in place. As the prize was generally an ancient, dried-out coconut, those long odds against winning were sometimes a blessing.

We kids preferred games of pure chance such as roll the penny, hoop-la or getting a ping pong ball to drop into the narrow neck of a round fish bowl.

The dolls offered as prizes seemed to be peculiar to fairgrounds. For years I longed for a bride doll. When my dad unexpectedly turned my dream into reality, I changed my mind and opted for one dressed in maroon crinoline and bonnet. To this day, I can’t explain my contrariness.

Before decimalisation made them redundant, most of the country’s copper coins must have passed through the innards of a fairground slot machine numerous times. Those old machines acted like a magnet for our precious spending money, and all we got was a few seconds watching a little silver ball whizzing around before it vanished again.

New Moston was a little unusual in having a golf course side by side with a railway line and an abandoned coal pit. The golf club held an annual open day which included a small fair with swing boats, chairaplanes and roundabouts, plus a variety of booths eager to part us from our money.

Some of the more novel stalls were run by the club members themselves. One I recall was a row of enamel buckets lying on their sides with the rims propped up at a slight angle. Standing a considerable distance away, you threw one of your three golf balls at the buckets. The idea was to make it stay inside without bouncing straight out again. I think the prize was sweets, which I could have bought at the corner shop for the threepenny bit I risked for the 3 goes with the golf balls.

Our back windows overlooked Nuthurst Park. The fair came every year, and watching it being set up was an entertainment in itself. Sadly, once the activity ceased, daylight made the silent rides and booths appear disappointingly tawdry.

But when darkness fell, the scene was completely transformed. Somehow, a circle of coloured light bulbs and the insistent throbbing of that unique music, managed to create the illusion that the best place in the world to be was amongst that milling crowd.

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Get Fishing, Ladies Day – with King William IV Angling Society

I was all ready for a tranquil day by the lake and not even the weather was going to mess it up.

Most of August was a washout. Activity days were planned only to be cancelled at the last minute. Not all of them though. Fortunately, fish like it wet.

Last Saturday was Get Fishing, Ladies Day at Boggart Hole Clough and I was booked in. The Clough is blessed with a boating lake, alas no boats, and a fishing lake, with lots of fish. The lakes sit side by side separated by a promenade and a café, aka The Lakeside Café.

My coach for the session stepped forward with a smile and introduced herself as Emma. She went through the basics of preparing the rod, showing me how to attach the bait and keep the ‘float’ in the right place ready for a curious fish to be tempted. I settled in.

There were several other participants being shown what to do nearby. The rain kept coming but no-one seemed to mind. The cafe generously kept us supplied with hot drinks and food and we sat quietly, waiting and listening to the sounds around us, chatting now and then.

It wasn’t long before there was a stir of activity as someone felt a ‘tug’ on their line. “A fish! I’ve got one.” They shouted. Coaches were ready with a net and helped bring it in. Then a quick photo shoot of the lucky angler with their ‘catch’ before it was placed gently back in the water to carry on its day.

I loved the atmosphere. It was friendly, exciting and the setting was lovely.

In the afternoon, I got the chance to chat to coach, Duncan Mottershead. I’d met him before at another event called ‘Spring into Fishing’ and asked him why do one just for ladies.

“The Society has approximately 70 members but only 5 are women” he told me. “We want to show that angling is accessible to anyone; male, female, young and old alike.”

Apparently, Emma Jenks was from the Angling Trust and had come along to help out just for the day. She was a Ladies England International.

“We have several coaches who volunteer their time and expertise. They’re fully qualified and we ensure all permits, fishing regulations, including health and safety etc., are adhered to. On Saturdays there’s always someone around to help beginners.”

I’m an avid follower of the TV programme ‘Mortimer and Whitehouse Gone Fishing’. It ticks a lot of boxes. The relationship between the two comedians is delightful; it’s interesting, funny and informative. The filming is inspired and the settings are serenely beautiful.

Boggart Hole Clough fishing lake is ‘up there’ too. I’d taken for granted how pretty it was but Duncan explained it takes a lot of careful planning, hard work and maintenance. The water is carefully monitored and, of course, the fish have to be kept stocked up and healthy.

I was impressed. I’d had a lovely morning, tried something new and would encourage anyone, including any woman, to give it a go.  The day was topped off with a goody bag, compliments of Lakeside Community CIC, full of brilliant stuff. The ladies did themselves proud.

I didn’t catch a fish, in case you were wondering. Never mind. I’ll get one next time!

To find out more about King William IV Angling Club and future events just click here. They have a juniors section on Facebook too.

The Lakeside Cafe are on Facebook. You can find out more about the Lakeside CIC by clicking here and keep up to date with what’s going on in Boggart Hole Clough.

Fishing can provide both mental and physical health benefits. The angling club supports initiatives such as Tackling Minds and Fishing for Life (for people with breast cancer) as well as many other organisations.

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North West Theatre Arts Company – Hairspray

They couldn’t have timed it better. NWTAC’s production of Hairspray started on 20th July just one day after Covid restrictions were lifted and it was a sell-out. Moston’s very own theatre at maximum capacity for the first time in 18 months.

For those who haven’t seen the film, Hairspray is set in Baltimore during the early 60’s where schoolgirl Tracy Turnblad dreams of dancing on The Corny Collins TV show. School doesn’t fit in with her plans so, along with her friend Penny Pingleton, she teams up with fellow African American students when they get put in detention. Together, they oust the reigning prima donna from the TV show along with her domineering mother and win the day.

Hairspray is a light-hearted, fun-filled musical with an underlying theme promoting tolerance and integration.

It also happens to be one of my daughter’s favourite films. She knows it inside out; every scene, every song, every dance move. So I was a bit nervous when I took her and the rest of my family to see the show.

Would NWTAC’s version measure up to the award winning film starring the likes of John Travolta, Zac Efron and Michelle Pfeifer?

Answer: they smashed it!

The casting was inspired. Annabelle Cooke bounced out of bed as Tracy with a bright and energetic ‘Good Morning Baltimore’. She was pitch perfect and I knew straight away we were in for a treat.

Eva Carty played Penny Pingleton perfectly while Jonny Molyneux had Tracy’s mum Edna Turnblad down to a tee. Jonny mustn’t have been available when they cast the film so they settled for John Travolta instead! He and his stage husband Gareth Maudsley have comedy timing in their bones.

James Burke followed in the footsteps of Zac Efron playing Tracy’s heart throb. He has a voice that just oozes confidence and rose to the challenge. Meanwhile, Penny’s love interest, Owen Omoruyi-Garci as Seaweed Stubbs, danced his way into her heart while his sister Little Inez (aka Elim Ghebrehiwet) sang her way into ours.

The TV ensemble was led by Anthony Horricks who carried off Corny Collins with professional smoothness. He and the station manager Velma Von Tussle (played by Melissa Grimes) and her daughter Amber (Kate Bannister) were superb.

In the West End, Marisha Wallace as Motormouth Maybelle was described as a show-stopper when she sang ‘I know where I’ve been’. I can only say that NWTAC’s Toyin Lawal, with her wonderful voice and elegance, was equally mesmerising.

Dance routines and songs just kept coming. Not once did anyone’s American accent falter. The full cast of 37 young actors and actresses who train at the North West Stage School did themselves, Beth Singh (Musical Director) and Katie Gough (Choreographer), Prab and the rest of the production team proud. It is such an elaborate show, packed with entertainment, humour and joy.

The past year and a half have challenged everyone but for this company to come through it all and produce a show as good as this is awesome.

My daughter, the whole of my family, loved it!

For all things NWTAC including future shows, professional theatrical training, their fantastic theatre summer school for anyone age 4+, Gap year theatre course, venue/set/costume hire and much, much more just follow them on Facebook and/or on their website where you can sign up to join the mailing list.